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Composing style: The art of harmonizing basics and statement pieces

  • orianetonnerre
  • Oct 17
  • 3 min read

Getting dressed in the morning is far more intimate than we admit.

It isn’t just about choosing clothes but more about arranging, editing, composing. Like a symphony you write before you even have your first coffee (or in my case after). Every piece has its own note, its own weight, its own rhythm. And when done right, the result isn’t noise but harmony.

 

But as mentioned in various previous post, fashion loves binaries. Basics versus statements. Minimalist versus maximalist. Safe versus bold. As if we had to pick one side and stick to it.

The truth? Style is rarely that black and white.

 

There’s a whole spectrum “in between” pieces too interesting to be called “basic,” yet not strong enough to stand alone as a statement. The middle ground where a lot of real style happens.

 

But before you can play with combinations, you need to understand the roles each piece can hold.


The silent power of basics

 

Basics are constantly misunderstood. People dismiss them as “boring,” as if simplicity were a flaw.

But a true basic isn’t dull; it’s deliberate.

 

That perfect white shirt that slips onto your skin like it was designed just for you.

Those black trousers that make you feel like you’re walking into a boardroom, even if you’re just going to  the bakery.

 

Basics don’t scream. They steady the room. They’re the pause before the crescendo. The space that allows everything else to shine. Without them, a look collapses. With them, it breathes.


When statements take the stage


And then, there are the statements. The divas. The ones who refuse to wait their turn.

 

That sculptural heel peeking out beneath fluid tailoring.

An architectural coat in unapologetic color cutting through the grey of winter and the sea of neutrals.

A cherry-red lip at 8 a.m. Because why on earth not?

 

A statement piece isn’t about chaos. It’s about clarity. It knows exactly what it wants to say. The key? Give it space. Because composing style is not about filling silence. It’s about knowing when to speak, and when to stay quiet.

 

Red hair woman with a tshirt with written haute couture is ... The new designers, stattement tshit

 The in-between

 

And then we arrive at the overlooked middle. The pieces that aren’t quite basics, but aren’t full-blown statements either. The “almost” bold blouse. You know, the one that feels too much for a Monday but too little for a Saturday night. The kind of pieces that say: “I might not be the lead singer, but I’ve got harmonies that will give you chills.”

 

Think of those pieces like bridges. They are here to support, sometimes to soften, and they allow you to experiment without feeling like you’re wearing a disguise.

 

Finding the balance


Let’s be honest, no one has ever had great style without a few “what was I thinking?” moments. I had so many of those, especially during my teenage years when layering (overlayering, in my case) was my thing.

But here’s the truth: mistakes are the tuition fees of style. You pay them, you laugh at them later, and you grow sharper.

 

If you’re still finding your rhythm, start simple: one statement piece, anchored by basics. Or build confidence with “in-between” pieces until you’re ready to step into the spotlight.

 

Because the “perfect recipe” doesn’t exist. The only recipe that works is yours.

Too much? Maybe. Too little? Perhaps. But isn’t that where style gets interesting?


Wardrobe harmony


Maybe the real question was never “basics or statements?” at all. Maybe style lives in the conversation between them.

 

The plain tee that makes a neon bag feel grounded.

The tailored coat that turns bold earrings into poetry instead of costume.

 

Harmony isn’t sameness, as much as style isn’t a formula.

The most stylish wardrobes? They know how to hold every piece in balance

Because at the end of the day, you’re not just getting dressed. You’re composing who you are.

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